The Charater of Remedios in One Hundred Years of Solitude Essay

The Charater of Remedios in unmatchable Hundred Years of Solitude In Gabriel Garcia Marquezs novel One Hundred Years of Solitude, the saga of the Buendia family is used as a thorough and pensive representation of the nature of human detachment. The Buendias are plagued with a seemingly incurable privacy a solitude that they turn to and verify on when they set themselves in times of trouble. When they are secluded, the Buendias lead vacuous and inescapable lives of function and routine. One of the family members, Remedios the apricot, is seemingly unlike any opposite Buendia. Her life consists of miniature other than sleeping, eating, and bathing. The simple and uncomplicated life she leads is deceiving for Remedios the Beauty is the most(prenominal) colonial character in the entire novel. Further more(prenominal), Remedios epitomizes everything the Buendias represent in terms of solitude and the nature of human existence, and is, essenti every last(predicate)y, the cente r of the novel. First of solely, although she may seem simple-minded, Remedios is not by any means a analogue idiot. Colonel Aureliano Buendia continuously asserts that Remedios is in no way amiablely retarded and is the most lucid universe that he has ever kn give. Such words do not develop unjustified. Remedios has embedded in her mind the way of cerebration that it takes some artists geezerhood to develop, if ever the most important example of this universe abandonment of all conformity. She was becalmed in a magnificent adolescence, more and more grievous to formality, more and more indifferent to malice and suspicion, intellectual in her own world of simple realities. If Remedios did not possess the mental capacities to think for herself-importance, she would be more susceptible to the senseless traps of soc... ...emedios have no place on this planet. Remedios is used not only to represent the Buendias, she is an mortal symbol of the discombobulate complicity of life. She is simultaneously heroic and disdainful for only life-time through her own ideals and represents the everyday struggles that everyone faces. Garcia Marquez ultimately comes to the conclusion that, although believing in ones ideal is important, removing ones self from all of humanity itself is a crime that is unamendable. tear down though the Buendias brought expiry upon others, they never once even attempted to stress out those crucial qualities of human existence and life. They could have found experience had they wanted it from the first but by the time they figured it all out, it was too late. whole caboodle CitedGarcia Marquez, Gabriel. One Hundred Years of Solitude. New York harperPerennial, 1991. The Charater of Remedios in One Hundred Years of Solitude EssayThe Charater of Remedios in One Hundred Years of Solitude In Gabriel Garcia Marquezs novel One Hundred Years of Solitude, the saga of the Buendia family is used as a thorough and contempl ative representation of the nature of human detachment. The Buendias are plagued with a seemingly incurable solitude a solitude that they turn to and rely on when they find themselves in times of trouble. When they are secluded, the Buendias lead meaningless and inescapable lives of habit and routine. One of the family members, Remedios the Beauty, is seemingly unlike any other Buendia. Her life consists of little other than sleeping, eating, and bathing. The simple and uncomplicated life she leads is deceiving for Remedios the Beauty is the most complex character in the entire novel. Furthermore, Remedios epitomizes everything the Buendias represent in terms of solitude and the nature of human existence, and is, essentially, the center of the novel. First of all, although she may seem simple-minded, Remedios is not by any means a one-dimensional idiot. Colonel Aureliano Buendia continuously asserts that Remedios is in no way mentally retarded and is the most lucid being that he has ever known. Such words do not come unjustified. Remedios has embedded in her mind the way of thinking that it takes some artists years to develop, if ever the most important example of this being abandonment of all conformity. She was becalmed in a magnificent adolescence, more and more impenetrable to formality, more and more indifferent to malice and suspicion, happy in her own world of simple realities. If Remedios did not possess the mental capacities to think for herself, she would be more susceptible to the senseless traps of soc... ...emedios have no place on this planet. Remedios is used not only to represent the Buendias, she is an earthly symbol of the baffling complicity of life. She is simultaneously heroic and disdainful for only living through her own ideals and represents the everyday struggles that everyone faces. Garcia Marquez ultimately comes to the conclusion that, although believing in ones ideal is important, removing ones self from all of humanity itself is a crime that is unamendable. Even though the Buendias brought destruction upon others, they never once even attempted to seek out those essential qualities of human existence and life. They could have found love had they wanted it from the beginning but by the time they figured it all out, it was too late. Works CitedGarcia Marquez, Gabriel. One Hundred Years of Solitude. New York HarperPerennial, 1991.