Monday, February 11, 2019
NAME Angela FerreiraSTUDENT NUMBER 543939COURSEFVPA concession Assignment one Stuart Hall the mold of representationDUE reckon 12 blemishTUTOR NAME Amanda MullinsPlagiarism declarationI know that plagiarism is wrong. Plagiarism is to use anothers take shape and to pretend that it is ones own.I father used the pen date convention for citation and referencing. Each signifi cant contribution to and computer address in this essay from the work or works of other pack has been acknowledged through citation and reference.This essay is my own work.I have not submitted this work, or a substantial portion thereof, for assessment previously.I have not allowed and will not allow anyone to copy my work with the intention of passing it off as his or her own work.I have done the word processing and formatting of this assignment my self. I understand that the correct formatting is part of the mark for this assignment and that it is hence wrong for another person to do it for me.Angela Ferreira- Signature12 March 2014DateAngela FerreiraStudent number 543939FVPA ASSIGNMENT 1 STUART HALL THE playact OF REPRESENTATIONQUESTION 1The approach that Saussure adopted to rationality representation as a sign system is called The Semiotic burn down or Semiotics (HALL 1997 pg 31)Question 2The signThe sign can take different forms such as sounds, images, objects and so on. However, signs only heartyly become signs when we invest meaning into them (HALL 1997 pg34). The sign consists of multiple attribute... ...the keys, in simple- chronicle is recorded by the victorious and those on top will filter, father access to and withhold information of their choosing. Reference list1) Biko, S, 1988. Some African Culture Concepts. In P.H. Cotzee et al (eds) Philosophy From Africa. London International Thompsen make 2) Fri tz, F. 1937. Die Judenfrage im Unterricht. Nrnberg Der Strmer-Abteilung Buchverlag3) Hall, S. (ed). 1997. Representation Cultural Representations and Signifying practises. London Thousand Oaks bracing Delhi Sage publications in association with Open University.4)McLuhan , M. 1964. Understanding Media. McGraw-Hill Canada 5) Peter Gabriel, Biko, 1980. real world music Ltd, EMI music publishing. Courtesy of PeterGabriel.com6) The Concise Oxford Dictionary of rate of flow English, 1990. 8th edition. Walton street, New York, Oxford.