Manet Essay example -- Art

ManetMuch of the stratagem of Manet reflects the developments going on in capital of France in the 1860s and 1870s. The rebuilding of Paris was being oversee by Baron Haussman, as much of the old medieval inwardness of the city was being destroyed so that the new city could be rebuilt. In his book The painting of modern career TJ Clark argues that modern art of the 20th century evolves from the art produced by Manet during this period of great diverseness in Paris. Manets scenes of Parisian cafes, bars and streets reflected the new Paris. Manets work influenced the impressionist painters, who were a strong influences on the painting of the 20th century, so in this esthesis Manets painting is the first modern art that emerged from the creation of the new Paris which Manet depicted in many of his paintings. While Le Dejeuner tire LHerbe and Olympia were the most famous and most controversial works Manet produced, I do not feel they represent the view of the French generator Baud elaire who came up with the phrase modern life. Instead I lead be pore more on Manets last great masterpiece The Bar at the Folies-Bergere, a much better display of Paris life, as wellspring as some of his other lesser known, smaller works. I will be discussing the relation of Manets art, especially this painting of the Folies Bergere night club, to modern life in Paris at this time.During the 1860s under the reign of Napoleon third in France, the city of Paris became one of the most modern in the world due to the extensive redesigning by Baron Georges Eugene Haussmann. Paris was wide-eyed of bars, operas, cafes, cabarets and a centre of dance and western culture. Many of the slums and poor versed city areas were redesigned with wide open streets and modern buildings. While this mean... ...the Nineteenth Century, Yale University Press, saucy Haven, regular army8) Hamilton, G. 1969, Manet and his critics, WW Norton & Co. Inc, New York, the States9) Hanson, A. 1977, Manet and the Modern Tradition, Yale University Press, London, UK10)Krell, A. 1996, Manet and the Painters of Contemporary Life, Thames and Hudson Ltd., London, UK11)Lucie-Smith, E. 1971, A telegraphic History of French Painting, Thames & Hudson Ltd., London, UK12)Pool, P. 1985, The Complete Paintings of Manet, Penguin Books, Orienti, S. Harmondsworth, Middlesex, USA.13)Reff, T. 1982, Manet and Modern Paris, National Gallery of Art, Washington, USA14)Schneider, P. 1972, The World of Manet 1832-1883, Time Life International, USA15)Walter, E. 1983, Manet 1832-1883, Metropolitan Museum of Art, New York, USA16)Wilenski, R. 1973, French Painting, Dover Publications Inc., New York, USA